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-James Jordan, "Gods, Courtesans and Freezing Lofts: The Best of Opera of the 2010s", The New York Observer

-Cate McQuaid, "The Ticket: what’s happening in the local art world", The Boston Globe

-Amelia Mason, “5 Things To Do This Weekend From A Hip-Hop Declaration To Women Artists Shattering Ceilings", WBUR Artery


-Callum John Blackmore, “First Lady Sings the Blues”, Parterre Box

-Michele Corriel, “Standby Snow: Chronicles of a Heatwave”, Mountain Journal

-“The Impossible She”, Opera News Magazine


-Featured Exhibition, Art in New England Magazine

-Cate McQuaid, White Rush, Critics Pick: October, Boston Globe


-Cate McQuaid, “Expect to see more in the future from these up-and-coming artists”, The Boston Globe


-Katherine Cooper, “The Master’s Program at the School of the Museum of Fine Arts: Redefining Interdisciplinary in the Twenty-First Century”, Art Forum, Art and Education

-Corinna da Fonseca-Wollheim, “The Macbeths Were Just Grieving”, The New York Times

-David Salazar, “Macbeth: Ambience & Extraordinary Dramatic Goods”, Opera Wire

-Rebecca Dalzell “In unusual New York City venues the taste for classical music expands”, The Washington Post

-James Jordan, LoftOpera ‘Macbeth’ Chills Brooklyn While Met ‘Salome’ Stays Lukewarm”, The New York Observer

-Matthew Guerrieri, “Abundant ideas in John Aylward’s ‘Switch’”, Boston Globe


-James Jordan “LoftOpera Giving the Met a Run for its Money”, The New York Observer

-Steff Yotka “Ohne Titel Costumes an Alt Opera in Brooklyn”, Vogue

-Anthony Tommasini, The Rape of Lucretia,’ a Woman Done In by Self-Blame”, The New York Times

-Matthew Guerrieri, “Guerilla’s ‘Pedr Solis’ Full of Energy and Drama”, Boston Globe

-David Wright, “Guerilla Opera Premiere delivers Bloland’s lit-crit work in blood-and-guts style”, The Boston Classical Review

-Corinna da Fonseca-Wollheim, "‘Lucrezia Borgia,’ With Flying Bottles of Beer and Poison”, The New York Times

-James Jorden, “The Met Can Learn a Beverage Lesson From LoftOpera”, The New York Observer


-Glen Rover, “My Brooklyn Bridge: The Party’s Not Over”, The Huffington Post

-Corinna da Fonseca-Wollheim, “The Funniest Classical Music Performances of 2014”, The New York Times

-Corinna da Fonseca-Wollheim, “Il Barbiere di Siviglia’ From the Met and Loft Opera”, The New York Times

-James Jordan, “The Met’s Vivid ‘Lady Macbeth of Mtsensk’ Heralds Sweeping Changes for the Opera World”, New York Observer

-Claudia Vitarelli, “Loft Opera, Bohème”, Grey Magazine

-Allison Meier, “Trading Stage for Warehouse, a New Organization Brings Opera to Brooklyn”, Hyper-allergic

-James Jorden, “LoftOpera Triumphantly Transfers Puccini’s Bohemia to Brooklyn”, The New York Observer